Published in Ceramics Monthly, January 2019
Read MoreCeramics From Rankin Inlet

Published in Ceramics Monthly, January 2019
Read MorePublished in Ceramics Monthly, November 2018
Read MorePublished in Studio Magazine, September 2018
Read MoreThis is a pictorial account of Heidi’s time creating work in Kecskemet, Hungary in 2018.
The first 20 pgs of my travelogue, check out the whole book.
Published in Fusion Magazine, May 2018
Read MorePublished in Ceramics Art + Perception, April 2018
Read MorePublished in Ceramics Monthly, March 2018
Read MoreThis is a pictorial account of Heidi’s time creating work in Sydney, Australia in 2017.
The first 20 pgs of my travelogue, check out the whole book.
Published in Ceramics Monthly, December 2017
Read MorePublished in Ceramics Monthly, October 2017
Read MorePublished in Ceramics Monthly, April 2017
Read MorePublished in Ceramics Monthly, March 2017
Read MorePublished in Ceramics Monthly, February 2017
Read MoreI attended the one day workshop at Sheridan College with ceramic sculptor, Jean-Pierre Larocque – who is currently based in Montreal and on faculty with Concordia University. Rather than write up my personal reflections, I thought I would post some of the truisms, advice and wisdom that I captured during the day:
“I cannot abide a blueprint – too much happens in the process.”
“I work a lot from chaos…I need the chaos in there because it speaks of something.”
“Material is an embodiment of an idea.”
“When I pushed away limited to reference to recognizable images, then the images just came.”
“I work from behind the curtain, under the surface, so that the surface looks like it’s made itself.”
“I am outraged by the idea of the nobility of the mind.”
“Sculpture is an experiment in the round.”
“I’m in the business of making ghosts appear.”
“Making art is about love – you work on this thing until you love every part of it.”
“I like to arrive there, but I don’t like to prescribe how to get there.”
“Play is the thing that keeps me coming back.”
–photos posted by permission of the artist.
Published in Ceramics Monthly, April 2016
Read MorePublished in Ceramics Art + Perception, January 2016
Read MoreSo I’ve been mucking about with trying to reproduce similar type “mimesis” work to what I did in Denmark – and decided I’d like to go with colour transfers. Friends have tried and true results, but I’m having a difficult time getting a printer to be happy with my very expensive waterslide decal paper. On the flip side, I’ve improved my Photoshop skills tremendously with a little help from my friends. The concept is still the same – to ask us to consider the different facets of our lives, and how we live our lives – crazy, high tech, fast faced, or rooted in nature and in touch with our environment….
Clay in Motion, Canadian Clay and Glass Gallery, Waterloo
November 8 until Sunday December 13th