One Step Forward: Two Steps Back

Bilijana Ciric’s curatorial triumph at Times Museum in Gwangzhou – I am pitching to review this exhibition. It was seminal, provocative and its poignant political activism set a tone of open critique of the institution at a global level.

We then travelled across the city to the Times Property Museum, a 100% privately funded major contemporary art space where curator, Bilijana Ciric was opening her major 30-artist exhibition, One Step Forward: Two Steps Back. This exhibition is a critique of the institution from the perspective of the artist and historically positioned over a 30 year period. I had met Bilijana in Toronto during the Toronto International Art Fair, and had attended her book launch on a similar theme. The work about Thai migrant workers berry picking in Sweden was especially poignant for me, as was the installation of Jean Hubert Martin’s Les Magiciens de la Terre (the seminal 1989 Paris World Fair that signaled to the world that Eurocentricism in contemporary art was no longer absolute).

Next to Times Museum is a small alternative artist education space founded by Xu Tan. We met some of his “disciples” and had a tour by one of the artists of his installation in the space.

Xu Tan introduced me to the whole community of regional curators and curators from Shanghai and Beijing – this was in important opening and officials, dignitaries from a number of consulates had flown in for the event. I ended up being invited to dine at the head table with the lead curator of the Times Museum, the curator and a number of international artists. I was also able to meet some of the Hong Kong contemporary art leaders at that same dinner – and having been to their galleries, and seen the recent exhibitions, was able to make meaningful connections.

On July 2 we spent the morning and early afternoon at a privately run Gwangzhou arts centre and video research library – we spent a couple of hours sharing our portfolios with the artists who work in the centre. I came away with a strong sense of the breadth and scope of what is happening on many levels in the non-commercial contemporary art scene in this vibrant city.

CHINA BOUND – THE ART JINGDEZHEN

made in porcelain, cone 13, 1320C – thrown, altered, slip cast with chinese transfers. Made in Jingdezhen, China.

The Way of Dao – Today

I went to the Hong Kong Museum of Art today and spent over an hour on the contemporary art floor – and was blown away. I have an insatiable appetite for getting inside the mind of a conceptual artist, and for me, really well-curated contemporary art is one of my greatest joys. This exhibition was one of those moments in time where I just lost myself in the flow of ideas, images and creation. The moving images, the film pieces were brilliant as well – the letters spilling into the body parts, and the large letters, you can’t tell the scale from the images, but they are at least 12 meters high – and they are the seasons. The same artist did a virtual “Real Life” movie of Central Park – of her imagination based on the seasons, complete with visitors – and of course, there were the rows and rows of ink bowls – telling us that uniformity is beautiful, nothing is dull, everything has a plain genesis… and the ceramic gloves and underwear, crumpled on the ground underneath the clothes line. Brilliant!

Andretta, Himachel Pradesh, India, Spring 2009

This is a pictorial account of Heidi’s time in apprenticeship under Mini Singh at Andretta Pottery, Andretta Himachel Pradesh, from April 1st to June 26th, 2009.

Heidi describes this time as a “creative sabbatical” which has proven to be the catalyst that has thrown her life into the fire of transformation. . .

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The first 20 pgs of my travelogue, check out the whole book.